Laura Betti
Laura Betti (née Trombetti; 1 May 1927 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001.
Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro in prima pagina, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.
Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome.
Betti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath; and his controversial Salo (1975) ("120 Days of Sodom").
In 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted.
In 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist.
From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy.
In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004 her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti.
Source: Article "Laura Betti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro in prima pagina, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.
Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome.
Betti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath; and his controversial Salo (1975) ("120 Days of Sodom").
In 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted.
In 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist.
From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy.
In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004 her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti.
Source: Article "Laura Betti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known for
Marx Can Wait
Maresco / Pasolini
Laura's Passion
La Rabbia di Pasolini
Fratella e sorello
Raul - Right to Kill
Renzo e Lucia
Household Accounts
Happiness Costs Nothing
Gli astronomi
Pier Paolo Pasolini and the Reason of a Dream
Fat Girl
Film
The Protagonists
Marianna Ucrìa
We Free Kings
Un eroe borghese
With Closed Eyes
Mario, Maria and Mario
La Ribelle
The Great Pumpkin
Suffocating Heat
Gallant Ladies
The Carpathian Mushroom
Le rose blu
I cammelli
Jane B. for Agnès V.
Widow's Walk
Jenatsch
Sweets from a Stranger
Blame it on Paradise
Mother Ebe
The Defective Detective
Class Relations
The Art of Love
The Charterhouse of Parma
The Night of Varennes
Loin de Manhattan
Whoever Says the Truth Shall Die
My Name Is Anna Magnani
The Little Archimedes
Lovers and Liars
The Word
Butterfly on the Shoulder
At Night All Cats Are Crazy
The Seagull
The Gang
1900
Private Vices, Public Virtues
Abicinema
The Woman with Red Boots
The Murri Affair
Allonsanfan
The Cousin
The Return
Woman Buried Alive
Slap the Monster on Page One
The Canterbury Tales
Sonny and Jed
In the Name of the Father
A Bay of Blood
A Man Called Sledge
Stop the World... I Want to Get Off!
Hatchet for the Honeymoon
Paulina Is Leaving
RARA
Orgy
Theorem
Caprice Italian Style
What Are the Clouds?
Oedipus Rex
The Witches
Ecco
Ro.Go.Pa.G.
Escape by Night
Red Lips
La Dolce Vita
Discorama